Have come down with the annual post-New Year dose of the flu but decided to fight my way to the keyboard. What is it about this time of the year that brings these things on? Too much booze? Shoorly not - these days New Year is just another weekend. A cloud of Michael Crichton-type microbes that circles the earth waiting to strike just when you're supposed to be enjoying yourself? Or just the opposite, you're miserable in January anyway, so why not get it out of the way all at once?Answers on a postcard to ...
Today I completed the copy-edited manuscript of Claudius, which means that particular writing journey is coming to an end. The copy-editor was actually very gentle with me, but I've been fairly savage on myself, or at least on some of the writing. I think there's two reasons for that. The first is that, for me, the second novel is even more important than the first, or at least it's a more serious endeavour because there's none of the novelty of a debut. This is the one that has to build on whatever success the first has achieved, and the one that, hopefully leads to a third and possibly a fourth. The second is that Caligula went through about four times as many stages of development, and was gone over and over again until it was really tight. I wrote Claudius basically from scratch in about four months, and probably made the mistake of stepping back to see what other people thought, when I should have kept working on it. I think it was an understandable mistake to make, as a writer you have to have feedback, but not one I'll make again.
February 12 is D-day for the paperback of Caligula and a huge amount is riding on it. The strange thing is that, even 18 months into this, I still have doubts about my ability as a writer. You can tell yourself as often as you like that the only thing to do is get your head down and write the next book, but the fact is that you're always vulnerable to any sort of criticism, like the bloke who said 'I Claudius, it ain't ...' The other side of the coin is the boost you get from a review that says you could be the next David Gemmell and that is quickly followed by another one that tells you you're 'better than Iggulden'. They cheered me up no end, but I've lost that naivety that made me believe in my own publicity.
I'm doing a talk and probably a Q&A or a reading at Waterstones in Stirling on February 26. If you fancy coming along, just introduce yourself and I'll be pleased to meet you.
Saturday, 31 January 2009
Wednesday, 21 January 2009
Countdown to Claudius
Just a quick note to let you know that my publishers have set up a website for their authors, where I rub shoulders in cyberspace with Sebastian Faulks and Richard Branson. Check out my bit on http://authorsplace.co.uk/doug-jackson/
The copy-edit of Claudius should be with me tomorrow. It turned out the delay was nothing to do with the book, but I'm still nervous about the scale of the changes that will be wanted. In fact, I've just realised that I'm a lot more nervous this time round than I was with Caligula. The first time round there was nothing to lose, but now I'm very conscious of how important it is to build on that first book and keep the momentum going.
I need to get the copy-edited manuscript back to Simon at Transworld by February 9, which concentrates the mind.
I've just noticed that this is my 50th blog. A whole half century of ups and downs and I'm still just as confused about where all this is going as when I started! Thanks for sticking with me.
The copy-edit of Claudius should be with me tomorrow. It turned out the delay was nothing to do with the book, but I'm still nervous about the scale of the changes that will be wanted. In fact, I've just realised that I'm a lot more nervous this time round than I was with Caligula. The first time round there was nothing to lose, but now I'm very conscious of how important it is to build on that first book and keep the momentum going.
I need to get the copy-edited manuscript back to Simon at Transworld by February 9, which concentrates the mind.
I've just noticed that this is my 50th blog. A whole half century of ups and downs and I'm still just as confused about where all this is going as when I started! Thanks for sticking with me.
Sunday, 18 January 2009
Countdown to Claudius
Apologies, I've had a few technical problems over the last week or so and I haven't been able to update the blog until now. But there have been a couple of other firsts in the past couple of days which have helped offset a lot of heavy credit crunch-related stuff at work.
On Wednesday I received a parcel from Transworld which I thought would be the copy edit manuscript of Claudius (more of that later), but it turned out to be half a dozen copies of the Italian edition of Caligula. It looks great: the same brooding picture of the gladiator, but with an understated, upmarket feel. As I've said before, I really like the title Morte Allimperatore! (Death to the Emperor).
Then on Saturday another parcel arrived. This time it was the paperback version of Caligula. A neat little package in which much of my future may be invested. The mass market paperback of a first novel acts as a springboard for the second book and it's also the version that generates the most royalties. Samantha, my new publicist, has set me up a talk and a book signing in Waterstones in Stirling on February 26 to help push the paperback, and Borders bookshop in Glasgow wants me to do a talk and signing in July after the launch of Claudius.
I have to admit that I'm getting a little bit nervous about the Claudius copy-edit. It was supposed to be completed by January 5th and here we are two weeks later and it still hasn't arrived. There are still seven months to publication on July 16, but my experience with Caligula tells me that in reality the book has to be completed by March, including proofreading. If a big rewrite is needed that's a pretty tight deadline for a guy who can only work two hours a day. The whole process of writing and being involved in the publication of books has felt so natural up to this point that it's a bit strange to suddenly feel under pressure.
Away from the book, I saw my daughter Nikki off to do six months at Leon University in Spain on an Erasmus language scholarship. She's an incredibly capable young lady and really looking forward to it, but for a parent it's always a pretty deep moment when you send your kid off into the unknown. It was nice this morning to get an e-mail from her saying she'd just bought a saucepan and had been able to make a cup of tea and had used her language skills to choose her first pik'n'mix.
On Wednesday I received a parcel from Transworld which I thought would be the copy edit manuscript of Claudius (more of that later), but it turned out to be half a dozen copies of the Italian edition of Caligula. It looks great: the same brooding picture of the gladiator, but with an understated, upmarket feel. As I've said before, I really like the title Morte Allimperatore! (Death to the Emperor).
Then on Saturday another parcel arrived. This time it was the paperback version of Caligula. A neat little package in which much of my future may be invested. The mass market paperback of a first novel acts as a springboard for the second book and it's also the version that generates the most royalties. Samantha, my new publicist, has set me up a talk and a book signing in Waterstones in Stirling on February 26 to help push the paperback, and Borders bookshop in Glasgow wants me to do a talk and signing in July after the launch of Claudius.
I have to admit that I'm getting a little bit nervous about the Claudius copy-edit. It was supposed to be completed by January 5th and here we are two weeks later and it still hasn't arrived. There are still seven months to publication on July 16, but my experience with Caligula tells me that in reality the book has to be completed by March, including proofreading. If a big rewrite is needed that's a pretty tight deadline for a guy who can only work two hours a day. The whole process of writing and being involved in the publication of books has felt so natural up to this point that it's a bit strange to suddenly feel under pressure.
Away from the book, I saw my daughter Nikki off to do six months at Leon University in Spain on an Erasmus language scholarship. She's an incredibly capable young lady and really looking forward to it, but for a parent it's always a pretty deep moment when you send your kid off into the unknown. It was nice this morning to get an e-mail from her saying she'd just bought a saucepan and had been able to make a cup of tea and had used her language skills to choose her first pik'n'mix.
Thursday, 1 January 2009
Countdown to Claudius
A Happy New Year to everyone.
It's been pretty quiet on the book front over the past couple of weeks and I've been heavily involved in a project at The Scotsman so I haven't been able to give the blog my usual attention. I'm still waiting for the return of the copy-edited manuscript of book two in the Rufus series, Claudius, which should arrive some time next week. It's been with the copy editor for slightly longer than Caligula was, which I suspect means there'll be more work to do on this one, but we'll see.
The next thing to look forward to is the publication of Caligula in the US on January 27, which will be quickly followed by the paperback launch in the UK on February 12. I should also, over the next month or so, get the first official count of how many books have been sold so far, which is interesting and scary in equal measure. I've always known that the big challenge is to build on what's been achieved so far and the mass market paperback is a key factor in that.
2008 was a year of contrasts, with the excitement of having my first book published offset by my son's battle with the auto-immune disease ITP (immune thrombocytopenic purpura). At one point he faced the possibility of a splenectomy and we went through a lot of soul-searching and sought a second opinion from experts at the Royal London Hospital before deciding against it. At the time, he was on steroid treatment, with all the horrible side-effects that accompany it. When we came back from London he came off the steroids, kept his spleen, and apart from one pretty frightening incident has resumed a more or less normal life. Seeing the way he faced that challenge and dealt with it were undoubtedly my proudest moments of the year!
2009 will undoubtedly be a year of new challenges for everybody. I wish you all the best in the months ahead.
It's been pretty quiet on the book front over the past couple of weeks and I've been heavily involved in a project at The Scotsman so I haven't been able to give the blog my usual attention. I'm still waiting for the return of the copy-edited manuscript of book two in the Rufus series, Claudius, which should arrive some time next week. It's been with the copy editor for slightly longer than Caligula was, which I suspect means there'll be more work to do on this one, but we'll see.
The next thing to look forward to is the publication of Caligula in the US on January 27, which will be quickly followed by the paperback launch in the UK on February 12. I should also, over the next month or so, get the first official count of how many books have been sold so far, which is interesting and scary in equal measure. I've always known that the big challenge is to build on what's been achieved so far and the mass market paperback is a key factor in that.
2008 was a year of contrasts, with the excitement of having my first book published offset by my son's battle with the auto-immune disease ITP (immune thrombocytopenic purpura). At one point he faced the possibility of a splenectomy and we went through a lot of soul-searching and sought a second opinion from experts at the Royal London Hospital before deciding against it. At the time, he was on steroid treatment, with all the horrible side-effects that accompany it. When we came back from London he came off the steroids, kept his spleen, and apart from one pretty frightening incident has resumed a more or less normal life. Seeing the way he faced that challenge and dealt with it were undoubtedly my proudest moments of the year!
2009 will undoubtedly be a year of new challenges for everybody. I wish you all the best in the months ahead.
Wednesday, 10 December 2008
Living with Caligula
The Christmas shopping outing to Edinburgh has come and gone for another year. Three shops, three pubs and a suitable finale in the bar of the Balmoral Hotel, courtesy of Caligula, while we waited for the train.
The first thing I did was pop into Waterstones to see if my book was still in stock and it gave another nice illustration of the ups and downs of authordom and the way publishing works. My dad asked me how it was selling the other day, because people looking to buy Caligula as a Christmas present hadn't been able to get it in their usual shop in the Borders.
In Waterstones the first thing I noticed was a very prominent display of Warrior of Rome, the Harry Sidebottom debut novel I regard, along with Ben Kane's The Lost Legion, as a kind of benchmark of where I should be. In the first weeks it was published Warrior had a short spell in the Top Ten hardback fiction, which isn't bad.
Waterstones were offering the airport version for half price (under the guise of a special Christmas edition) along with twenty or thirty best-sellers by well-known authors, and had eight or ten out on the shelves. Caligula, on the other hand was represented by a single copy tucked away among the Js in the A-Z. It's in line with what I've found on my wanderings, a copy or two here and there taking their chance at the back of the shop. It's also what I expected, an unknown debut author will, if he's fortunate, have a nice steady rising sales curve, but after a few months, unless he/she's very fortunate it will tail away. I've no complaints about the way Caligula has been promoted, far from it. Transworld have done a great job and I've no doubt it wouldn't have sold half as many copies without the generous discount. The book is on sale from India to Italy, America to Australia and Norway to New Zealand.
And it's beginning to happen again. The first launch was so successful Blackwells in Edinburgh have asked to host the take-off of my second novel. The blog will soon be Countdown to Claudius.
Have a great Christmas and a Happy New Year
Doug
The first thing I did was pop into Waterstones to see if my book was still in stock and it gave another nice illustration of the ups and downs of authordom and the way publishing works. My dad asked me how it was selling the other day, because people looking to buy Caligula as a Christmas present hadn't been able to get it in their usual shop in the Borders.
In Waterstones the first thing I noticed was a very prominent display of Warrior of Rome, the Harry Sidebottom debut novel I regard, along with Ben Kane's The Lost Legion, as a kind of benchmark of where I should be. In the first weeks it was published Warrior had a short spell in the Top Ten hardback fiction, which isn't bad.
Waterstones were offering the airport version for half price (under the guise of a special Christmas edition) along with twenty or thirty best-sellers by well-known authors, and had eight or ten out on the shelves. Caligula, on the other hand was represented by a single copy tucked away among the Js in the A-Z. It's in line with what I've found on my wanderings, a copy or two here and there taking their chance at the back of the shop. It's also what I expected, an unknown debut author will, if he's fortunate, have a nice steady rising sales curve, but after a few months, unless he/she's very fortunate it will tail away. I've no complaints about the way Caligula has been promoted, far from it. Transworld have done a great job and I've no doubt it wouldn't have sold half as many copies without the generous discount. The book is on sale from India to Italy, America to Australia and Norway to New Zealand.
And it's beginning to happen again. The first launch was so successful Blackwells in Edinburgh have asked to host the take-off of my second novel. The blog will soon be Countdown to Claudius.
Have a great Christmas and a Happy New Year
Doug
Sunday, 23 November 2008
Living with Caligula
I had a couple of interesting pointers this week to what happens when your baby goes out into the wide and unforgiving world. The first was the worst review I've had so far on Amazon, a single star and completely at odds with everything else anyone has said about Caligula. Everyone's entitled to their opinion and I think I've said before on this blog that I know the book won't be to everyone's taste but the tone and the personal nature of some of what was said made me wonder if the reviewer had some sort of axe to grind. He was particularly exercised about the death of Circe early in the book.
"The author seems to take a certain amount of pornographic pleasure in the descriptions of animals being killed. The leopard at the beginning is a case in point. Disgusting."
I'd never deny that the arena scene is a graphic depiction of what happened to animals in the Roman Empire, and I thought long and hard about whether to tone it down, but to accuse an author of taking "pornographic" pleasure in something he's written seems to be missing the whole point of a work of fiction. Silence of the Lambs and Hannibal contain some stomach-churning descriptive writing, but that doesn't make Thomas Harris a serial killer, any more than writing about the reality of the amphitheatre makes me a gladiator or an animal murderer. Which brings me to my second point.
Caligula has just been flagged up on the Animal Liberation Front's Facebook site as an example of cruelty to animals.
You couldn't make it up!
"The author seems to take a certain amount of pornographic pleasure in the descriptions of animals being killed. The leopard at the beginning is a case in point. Disgusting."
I'd never deny that the arena scene is a graphic depiction of what happened to animals in the Roman Empire, and I thought long and hard about whether to tone it down, but to accuse an author of taking "pornographic" pleasure in something he's written seems to be missing the whole point of a work of fiction. Silence of the Lambs and Hannibal contain some stomach-churning descriptive writing, but that doesn't make Thomas Harris a serial killer, any more than writing about the reality of the amphitheatre makes me a gladiator or an animal murderer. Which brings me to my second point.
Caligula has just been flagged up on the Animal Liberation Front's Facebook site as an example of cruelty to animals.
You couldn't make it up!
Monday, 17 November 2008
Living with Caligula
Caligula made another breakthrough this week when I got word that a Barcelona publishing company called Ediciones B have bought the world Spanish rights. They seem really forward thinking and it's possible that there could be a Spanish edition in the US, plus editions in Spain and South America. It brings the Caligula United Nations to seven, and came completely out of the blue.
One thing I haven't touched on that might be interesting to would-be writers is the money side of things. I got a great advance for Caligula and Claudius, but that doesn't mean the cheque arrived in the post the next day. I got 25 per cent on signing and the rest has come in bits and pieces (on delivery of the manuscript, hardback publication, paperback publication etc). However, I won't get any royalties until the total advance is paid back. That means any money from rights sales goes to Transworld, plus anything I earn from British/overseas English language sales and from the Polish edition, which has been out since the summer. Rights sales aren't like the advance and the sums involved (at least for me) aren't huge, so it takes quite a few to make a difference. I'll get the first statement around Christmas/New Year time which will let me know forthe first time exactly where I stand. I also experienced the first really major downside - my first tax bill - which made my eyes water. Even though I'd known it was coming and had put money aside it was still a shock to see it in black and white, and a bigger shock to disover that they want half of next year's bill up from at the same time last year's is paid! Ouch!
Still, it's all part of the learning experience, and if I'm ever going to write full time it's something I'll have to get used to.
PS Just had a quick look on the internet and discovered that the Italian edition will be published on November 27 by Newton and Compton and is entitled Morte all'imperatore!, which I think means Death to the Emperor.
One thing I haven't touched on that might be interesting to would-be writers is the money side of things. I got a great advance for Caligula and Claudius, but that doesn't mean the cheque arrived in the post the next day. I got 25 per cent on signing and the rest has come in bits and pieces (on delivery of the manuscript, hardback publication, paperback publication etc). However, I won't get any royalties until the total advance is paid back. That means any money from rights sales goes to Transworld, plus anything I earn from British/overseas English language sales and from the Polish edition, which has been out since the summer. Rights sales aren't like the advance and the sums involved (at least for me) aren't huge, so it takes quite a few to make a difference. I'll get the first statement around Christmas/New Year time which will let me know forthe first time exactly where I stand. I also experienced the first really major downside - my first tax bill - which made my eyes water. Even though I'd known it was coming and had put money aside it was still a shock to see it in black and white, and a bigger shock to disover that they want half of next year's bill up from at the same time last year's is paid! Ouch!
Still, it's all part of the learning experience, and if I'm ever going to write full time it's something I'll have to get used to.
PS Just had a quick look on the internet and discovered that the Italian edition will be published on November 27 by Newton and Compton and is entitled Morte all'imperatore!, which I think means Death to the Emperor.
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